{"id":3218,"date":"2020-06-04T19:00:55","date_gmt":"2020-06-04T19:00:55","guid":{"rendered":"https:\/\/klopelgag.com\/the-final-single-before-the-release-of-notre-dame-des-sept-douleurs-on-june-26th\/"},"modified":"2024-05-27T20:23:32","modified_gmt":"2024-05-27T20:23:32","slug":"the-final-single-before-the-release-of-notre-dame-des-sept-douleurs-on-june-26th","status":"publish","type":"post","link":"https:\/\/klopelgag.com\/en\/the-final-single-before-the-release-of-notre-dame-des-sept-douleurs-on-june-26th\/","title":{"rendered":"The final single before the release of Notre-Dame-des-Sept-Douleurs on June 26th"},"content":{"rendered":"\n

Today, Kl\u00f4 Pelgag shares <\/span>\u201cLa maison jaune\u201d<\/span><\/i> the fourth single and music video off her upcoming new album<\/span> Notre-Dame-des-Sept-Douleurs<\/b><\/a>,<\/b> available everywhere on June 26 via <\/span>Secret City Records.<\/b> A haunting song that elicits a wide range of emotions in the listener, \u201c<\/span>La maison jaune refers to the house where<\/span><\/i> painter<\/span><\/i> Vincent van Gogh lived while experiencing great distress,\u201d <\/span><\/i>explains Kl\u00f4<\/span>. \u201cIt\u2019s a song about the moment when you finally leave this place in the hope of never returning there.\u201d <\/span><\/i>The theme of the song echoes the documentary posted online a few months ago, which depicted the writing of this album after a darker period in the life of the singer-songwriter. The intoxicating <\/span>La maison jaune<\/span><\/i> is characterized by string and brass arrangements that were created by Kl\u00f4 herself for the very first time.<\/span><\/p>\n\n

The companion music video was directed by Baz, her visionary accomplice who also helmed the \u201c<\/span>R\u00e9mora<\/span><\/i>\u201d video and the documentary. He explains the inspiration for the concept of the music video. \u201c<\/span>We shot this video last December. It\u2019s an ode to the planet that is entirely computer animated. Let\u2019s just say that life has drastically changed since then. Oddly, I have the impression that this video is more relevant than ever today. After three months spent between four concrete walls, then seeing people kill each other for incredibly futile reasons, I have never longed more to go hug a tree in the forest. It should be noted that it took 3D artist Olivier Masson two months of post-production to achieve the final result. A<\/span><\/i> painstaking task that deserves to be highlighted.\u201d<\/span><\/i><\/p>\n\n

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